Big & Rich - My Son (Featuring The Isaacs) - 2:36 (863 kbps, 16 MB).Big & Rich - The Long Way Home - 3:37 (986 kbps, 25.47 MB).Big & Rich - Smoke In Her Eyes - 3:12 (986 kbps, 22.55 MB).Big & Rich - Wake Up Wanting You - 2:58 (976 kbps, 20.68 MB).Big & Rich - Congratulations (You're A Rockstar) - 3:21 (1052 kbps, 25.21 MB).Big & Rich - Did It For The Party - 3:01 (1021 kbps, 22.08 MB).Release Name: Big_and_Rich-Did_It_For_The_Party-CD-FLAC-2017-FORSAKEN Mastering Engineer: Bernie Grundman.īig and Rich-Did It For The Party-CD-FLAC-2017-FORSAKEN
Recorded and Mixed in The Enactron Truck.Įngineers: Bradley Hartman and Donivan Cowart. Stardust showcases Nelson’s skills as a musician and his entire aesthetic - where there is nothing separating classic American musical forms, it can all be played together - perhaps better than any other album, which is why it was a sensation upon its release and grows stronger with each passing year. It may be strange to think that this album, containing no originals from one of America’s greatest songwriters, is what made him a star, and it continues to be one of his most beloved records, but it’s appropriate, actually. It’s not that Willie makes these songs his own, it’s that he reimagines these songs in a way that nobody else could, and with his trusty touring band, he makes these versions indelible. Well, it’s not entirely accurate to say that he put away country and folk, since these are highly idiosyncratic interpretations of “Georgia on My Mind,” “All of Me,” “Moonlight in Vermont,” and “Don’t Get Around Much Anymore,” blending pop, country, jazz, and folk in equal measures. He set aside originals, country, and folk and recorded Stardust, a collection of pop standards produced by Booker T. It’s also one of the better albums of Nelson’s career, allowing Willie to dip his fragile, quivering tenor all around the beat in songs like “All of Me” and “Unchained Melody.” Jones’s organ, piano, and string arrangements are low-key and swinging (except on the almost wooden “On the Sunny Side of the Street”), and Nelson’s vocals on “Georgia on My Mind” and “Moonlight in Vermont” are filled with a dignified and slightly jazzy country soul.Īt the height of outlaw country, Willie Nelson pulled off perhaps the riskiest move of the entire bunch. Jones-produced album of pop standards from the ’30s and ’40s certainly fits the profile. Willie Nelson has never been one to do the safe or expected, and this Booker T. Jones & recorded in Willie’s inimitable style in Emmylou Harris’ house. Or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 672 MBĬountry crooner’s classic collection of easy-going pop standards features the songs Moonlight In Vermont, All Of Me, Don’t Get Around Much Anymore & others. (Sam Bush's mandolin and the dobro leads of producer Jerry Douglas were particularly impressive.) The record was imbued with the same old feeling that Krauss and her Union Station guitarist Dan Tyminski would later draw upon for O Brother, Where Art Thou? - it was a bluegrass album at heart, but it came from a place where emotion and honesty weren't labeled with a genre tag.Willie Nelson – Stardust (1978) At the same time, the playing on "Will You Be Leaving" and "Dark Skies" was not only technically skilled, but startlingly genuine. The sentiment behind the gentle sway of "It's Over" and "Wish I Still Had You" was universal blended into the honeyed voice of Krauss, it was irresistible. It blended country and bluegrass with pop elements (the latter being most evident on "Longest Highway") in such an effortless way, the album couldn't possibly be seen as a play for the mainstream. But Old Feeling was more important as a footbridge to where Krauss would take her music - and bluegrass itself - over the next decade. The album's tantalizing blend of tasteful folk and traditional bluegrass certainly deserved the award. When I've Got That Old Feeling garnered Alison Krauss 1990's Best Bluegrass Recording Grammy, it was an acknowledgement of the talent and poise the former child prodigy had shown through her first three albums.
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